Faculty of Architecture, Building and Planning

The Half Life of Data

CSIRO Discovery Centre, Canberra, May 2001

 

Artist's Statement

  1. When thinking of food, building, clothing, or any manufacturing, it's easy to visualize waste. But what about ideas, or information? We recognize that some ideas are out of date, useless, decayed, even toxic, and there may be lots of data or information which is similarly so.
  2. Data actually exists in physical formats, even e-data. Data waste is sometimes a factor of the deterioration of its material base (such as paper or film), and sometimes caused by a change in technology. Sometimes an attack on data is made through an attack on its physicality. The confusion and identification of data and its materiality could even be seen as an analogue of the idea/matter or mind/body duality that haunts (some of) us.
  3. In this set of works, I take familiar physical embodiments of data and information, in particular, paper books and printed products, and subject these to physical operations. These operations are the same ones that we use in the office environment to render data into waste ie cutting, tearing, obliteration by liquid paper, crumpling, and shredding. In every case I have kept only those results which reveal something about the nature of the original data that is not obvious in its pristine state.
  4. Nearly all of the materials in these works have been reclaimed from bins, discard piles, leftovers and remainders. My thanks go to the forces of progress and tidiness in my Faculty at the University of Melbourne. Thanks are also due to Kathi Holt-Damant for inadvertently bringing in a huge supply of unbound sections of a maritime novel whose pages form the basis of many of these works; to Peter Ho for some band-sawing suggestions, to Greg Missingham for his comments on mis-filing (a related idea, but unexplored in this series of works), and to Bernard Slattery for help with French colloquialism.

 

Selenitsch: Reversed Argument 2001
Selenitsch: Argument over evidence 2001
Selenitsch: Two Lines 2000
Reversed Argument (detail) 2001
Argument Over Evidence (detail) 2001
Two Lines (detail) 2000
Selenitsch: Throwaway Lines Haiku 2001
Selenitsch: Vertical Scan #2 1998
Selenitsch: Book with emerging shreds 2001
Throwaway Lines: Haiku (detail) 2001
Vertical Scan #2 (detail) 1998
Book with Emerging Shreds (detail) 2001
Selenitsch: Striking Chords 2000
Selenitsch: Vertical Scan #4 1998
Selenitsch: Scholar's Desk 2000
Striking Chords (detail) 2000
Vertical Scan #4 (detail) 1998
Scholar's Desk 2000

 

All images on this page are the copyright of Dr Alex Selenitsch.

Disclaimer: This page, its contents and style, are the responsibility of the author and do not represent the views, policies or opinions of The University of Melbourne.

Authorised by: Dr Alex Selenitsch, Faculty of Architecture, Building and Planning

Updated: 14 December 2006

 

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